The new money manager is organising its first fund, the filing shows. On August 8, it completed the registration process for Iconiq DC Management, the subsidiary setting up private funds to make real estate investments in data centres or "technology connectivity-related assets", according to the SEC filing. While Iconiq primarily helps clients allocate their money to outside hedge and private equity funds, the firm also runs its own proprietary investment vehicles. According to regulatory filings, clients include Sean Parker, the co-founder of Napster Reid Hoffman, the chairman of LinkedIn and Zuckerberg, who at age 32 ranks as the world's fifth-richest person with an estimated net worth of more than $57 billion, mostly in Facebook stock. It had about $16.7 billion of assets under management at the end of last year, including $4.8 billion in discretionary accounts. Makan, Boeding and Anders all worked at Goldman Sachs Group and Morgan Stanley, two of the main underwriters for the Facebook IPO.Īs a multifamily office, Iconiq focuses on providing wealth-management services to Silicon Valley entrepreneurs. Iconiq opened in 2011, the year before Facebook held its $16 billion initial public offering. The firm is owned by Makan along with partners Chad Boeding, Michael Anders and William Griffith. Iconiq referred calls to an outside spokeswoman, who declined to comment. Louis-based company owns 39 data centres. "Historically, they are trading at very robust multiples," said Kent, whose St. "The public REITs in the data-centre space have been the best-performing sector of stocks in the past eight months," Jerald Kent, chairman of TierPoint, a closely held provider of cloud-computing services, said in a telephone interview. That compares with the 7 percent gain by the S&P 500 Index. A basket of seven data-centre stocks, including Digital Realty Trust and Equinix, jumped 31 percent this year through Wednesday, according to data compiled by Bloomberg. The demand for additional capacity has already fuelled a surge in the market value of publicly-traded tech companies and REITs that own and operate data centres. Iconiq, in starting a fund to invest in data centres, "has definitely picked up on a trend." "We are just scratching the surface on the large data centre expansion trend," Srinivasan said. Iconiq provides wealth management from entrepreneurs like Mark Zuckerberg. That spending pales in comparison to the amount of funding that will be required as global corporations turn to the cloud to meet their computing needs. Its holdings will range from direct investments in data centres to securities issued by real estate investment trusts specialising in the sector.įacebook and other technology giants have already spent billions of dollars building data centres to provide cloud-based computer services to individual customers, according to Anand Srinivasan, a senior analyst with Bloomberg Intelligence. Iconiq Capital, the San Francisco-based investment adviser run by Divesh Makan, registered a new subsidiary with the US Securities and Exchange Commission last month that will put client funds into technology-related real estate, according to documents filed with the agency. The wealth manager to Facebook founder Mark Zuckerberg and other technology entrepreneurs is starting a unit to invest in data centres to profit from growing demand for cloud-based services.
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You can track it from beginning to end, seeing, for instance, how the game and its brand evolved into Justine and A Machine For Pigs, which is something only a collection like this can do. However, the biggest draw to this collection is the ability to play them all consecutively, which highlights how the three are intertwined and creates a narrative of the Amnesia franchise as a whole. I was surprised by how many things I had forgotten since my first playthrough. The original game is almost a decade old at this point (oh no), so it's likely you've played it already, but a second go at it never hurt anybody. You can guess from my gushing about the first game in the series that one of the huge benefits of purchasing this collection is gaining the ability to play it all over again. Amnesia: Collection: The goodĪmnesia Collection Hero (Image credit: Frictional Games) Together, the three games offer an intriguing package for horror fans, or just game fans in general. There are also fewer threats, and the music, which works to set the horror tone, can be overwhelming and obnoxious. You no longer need to collect oil for your lantern, which takes out a huge tension builder. Usually, puzzles require you to pull levers in the correct order, or to pick up and carry objects from room to room. However, making the jump from The Dark Descent, which is a puzzle game centered around picking up and combining objects, A Machine For Pigs feels empty. It's a fine game on its own, with an interesting story that unravels in a typical Amnesia fashion and a gothic steampunk aesthetic that leaves the player feeling unsettled and distanced but integrated. It features a new character and a new setting but keeps the atmosphere, themes, and puzzle-solving. This 2013 Amnesia entry, which was developed by The Chinese Room instead of Frictional Games (although the latter helped to publish it), is an indirect but full-fledged sequel to The Dark Descent. It's still a decent horror game, even if the ending is predictable. It's a short experience that takes about an hour to play, and your satisfaction depends on how much you buy into the puzzle-solving and how much you know beforehand about the affects your choices have. The three games offer an intriguing package for horror fans. The game differs from The Dark Descent by forcing the player to make life or death decisions concerning torture victims you find scattered throughout the levels and the choices you make affect the ending. Justine was free DLC for The Dark Descent that took some of the themes and a couple loose plot points to create a whole new story surrounding an unnamed woman who's trapped in a dungeon full of puzzles. The game is also a great example of how different lighting levels can be used to provoke multiple horror responses, and how using light itself as a resource to be coveted can raise the stakes tremendously.Įither way, this is something you should - no, need - to play.Īs for the other two titles in this collection, your experience might vary. The pacing, however, keeps the player in the dark both literally and figuratively, allowing for the lack of knowledge to add to the terror. This works to string the player along and encourages them to uncover more secrets about the castle, the creatures that inhabit it, and a mystical orb. For one, it's a masterclass in narrative tension, utilizing the titular amnesia to present an unreliable narrator, named Daniel, who has already lived a life that the player is not privy to and must rediscover it for himself. Regardless, the game is essential for horror fans. This isn't a review for The Dark Descent, so I'm not going to bore you with a complete breakdown of why you must play this game. It's a masterclass in narrative tension and lighting techniques. The Dark Descent is essential for horror fans. In a matter of minutes you can decorate your whole Instagram account. Grid Maker for Instagram is an app that's very useful when it comes to creating Instagram collages, but in a much easier and simpler way than using a full photo editor. Grids app introduces a fast and easy way to create an outstanding and beautiful Instagram feed. That way, once you've finished creating all your posts, the results will look just like you want them to. Once you've situated your grid wherever you want it, simply tap to publish your content, as per usual. 17 Likes, 0 Comments - taurus () on Instagram: 'Go to the page for less blur. Now you can pick whether you want to create a whole composition made of one, two, or three rows (by default they're usually three). Honey Boo Boo confirmed the news Thursday. InstaGrid Instagram Grid Template will enable you to show off your photos in higher resolution, add hashtags, text and more to your Instagram profile. Resize images for Instagram posts, stories, profile pictures and. Once you've chosen, use the grid supplied in this app to set up each of your photos. Instagram Grid Inspo 1: Create Bold Color-blocking Themes like Ohh Deer Nothing is as pleasing on the eye as a completely color-blocked scroll and Ohh Deer does this like no one else ohhdeer The stationery brand boldly switches up their color theme every couple of weeks. Anna ‘Chickadee’ Cardwell, the oldest daughter of Mama June Shannon, has been diagnosed with stage 4 cancer, in her liver, lungs and kidney. Use Fotors free online Instagram photo resizer to quickly resize photo for Instagram. In order to start using Grid Maker for Instagram, all you have to do is pick a photo from your gallery. Your Shopify products automatically sync to Facebook and Instagram so you can easily create ads and shoppable posts. Put together a couple of collages made up of two, three or more rows of photos. a very black and white Insta-grid Meaghan Jette Martin as Tess Tyler Scott Gries / Getty Images / Then: Played the mean girl in Camp Rock. Now you can add a little flare to your Instagram account. Grid Maker for Instagram is an app to create outstanding collages from a single photo. Guadalupe García Retired government worker I’d rather not say.”Īs sundown approached on Friday, March 18, 2011, gunmen from the Zetas cartel began pouring into Allende. “How did I feel about the information being compromised? I’d rather not say, When pressed about his role, the agent, Richard Martinez slumped in his chair, his eyes welling with tears. prosecutor who oversaw the case and the DEA agent who led the investigation and who, like most people in this story, has family ties on both sides of the border. The DEA and saw their friends and families slaughtered the U.S. Voices like these have rarely been heard during the drug war: Local officials who abandoned their posts families preyed upon by both the cartel and their own neighbors cartel operatives who cooperated with They did so often at great personal risk. In Allende, people suffered mostly in silence, too afraid to talk publicly.Ī year ago ProPublica and National Geographic set out to piece together what happened in this town in the state of Coahuila - to let those who bore the brunt of the attack, and those who played roles in triggering it, tell the story in their own words. Helped Mexico capture the Treviños but never acknowledged the devastating cost. They erected a monument in Allende to honor the victims without fully determining their fates or punishing those responsible. Their savagery in Allende was particularly surprising because the Treviños not only did business there - moving tens of millions of dollars in drugs and guns through the area each month - they’d also made it their home.įor years after the massacre, Mexican authorities made only desultory efforts to investigate. The brothers set out to exact vengeance against the presumed snitches, their families and anyone remotely connected to them. Almost immediately, the Treviños learned they’d been betrayed. It shared the intelligence with a Mexican federal police unit that has long had problems with leaks - even though its members had been trained and vetted by the DEA. An agent persuadedĪ high-level Zetas operative to hand over the trackable cellphone identification numbers for two of the cartel’s most wanted kingpins, Miguel Ángel Treviño and his brother Omar. It began in the United States, when the Drug Enforcement Administration scored an unexpected coup. Outsiders were not wanted, and were disappeared.”īut unlike most places in Mexico that have been ravaged by the drug war, what happened in Allende didn’t have its origins in Mexico. “Most people who I questioned about my relatives responded that I shouldn’t go on looking for them because “I would like to make clear that Allende looks like a war zone,” Only a few of the victims’ relatives - mostly those who didn’t live in Allende or had fled - dared to seek help. The destruction and disappearances went on in fits and starts for weeks. In March 2011 gunmen from the Zetas cartel, one of the most violent drug trafficking organizations in the world, swept through Allende and nearby towns like a flash flood, demolishing homes and businesses and kidnapping and killing dozens, possibly Torn apart: shoes, wedding invitations, medications, television sets, toys. Strewn among the rubble are tattered, mud-covered remnants of lives Once garish mansions are now crumbling shells, with gaping holes in the walls, charred ceilings, cracked marble countertops and toppled columns. was facing.There’s no missing the signs that something unspeakable happened in Allende, a quiet ranching town of about 23,000, just a 40-minute drive from Eagle Pass, Texas. But while Fernandez was in torment over his son's disappearance, it was nothing in comparison to what Fernandez Jr. According to Fernandez's associates, he would go to his ranch's stables so that he could cry alone.įans of the ranchera star have also wondered if his performances during that time had a deeper meaning, and point to one particular line in his ballad "Acá Entre Nos." "There is no doubt that pain is also sung when you can't cry," reads one line. To keep up appearances, he played the show as if nothing had happened, per Zocalo.īut while Fernandez may have been able to put on a front in public, in private he was clearly seriously affected by the news. In fact, Fernandez first received the news that his son had been taken right before a concert in Morelia, Michoacán, was set to begin. Worse still, the criminals reportedly demanded that Fernandez not inform either the police or the public about the kidnapping, forcing the famed singer to pretend that everything was okay in public while grieving in private (per El Comerico). In the Iframe: var msger = new CrossMessenger(window. Var cssContent = (, css_text).join('\n') In the main windows, var msger = new CrossMessenger(ntentWindow, "") via Element.removeAttribute()) causes about:blank to be loaded in the frame in Firefox (from version 65), Chromium-based browsers, and Safari/iOS. The HTML tag is used to embed a webpage within a webpage. Using this in two windows to communicate can solve your problem. Use a value of about:blank to embed an empty page that conforms to the same-origin policy.Also note that programmatically removing anSprinkle in the white pepper and red chili flakes. Return the pork and drizzle Tamari over everything. Mix in the cabbage for 2 minutes, then add mushrooms for 1 minute. Sauté onions to the skillet for 2 minutes over medium heat. Remove and season with another pinch of salt. Add pork and cook until pink is no longer visible, but not all the way through (6-8 minutes). Melt coconut oil in large skillet over medium heat. In a small bowl, toss sliced pork with a pinch of sea salt and tapioca starch. I am sure you’re going to enjoy this recipe.ġ lb boneless country-style pork ribs, thinly slicedĢ tsp tapioca starch (omit if 21DSD or Whole30)ġ small head of Nappa cabbage chopped (7-8 C)ġ/4 C Chinese cooking wine (substitute with 2 Tbsp apple cider vinegar if 21DSD or Whole30)Ģ Tbsp gluten free Tamari (or coconut aminos) It’s not as intimidating as an episode of Chopped, but it’s empowering to know that even when a meal isn’t already prepared, you have the tools to make one in your refrigerator. I enjoy the spirit of making something with what you have on hand. I’m always excited to find different cultural versions of “kitchen sink”-style meals. In the spirit of assorted pieces, I learned all of this and prepared this recipe when confronted with uncooked boneless pork ribs that had to be cooked or frozen-we didn’t even have to make a trip to the grocery store to put this together, in true Chop Suey fashion. What I hadn’t realized is that Chop Suey roughly translates to “assorted pieces” (thanks, Wikipedia!). Chop Suey has been popularized in America through Americanized Chinese restaurants, although it has a history in Asia and the South Pacific as well. It was a platformer that I think sparked Ari’s interest in working with me,” Pellen says. “I started working on my first big project last year. “To be fair,” Gibson butts in, “a bunch of these games are momentously epic.” I made some games in flash and released them for the web – free games,” Pellen explains. It wasn’t that long ago that I started teaching myself how to do it. “Ever since I was a kid I used to spend hours in class filling in A4 sheets of paper with level designs and instruction manuals for games. Hollow Knight is his first professional release. William Pellen is the primary driver behind the technical side of the game – the underlying code that makes it all stick together. I think there’s something very appealing about that.” Whereas a game, you can produce three months of content and that gives the player a world to explore that they’re going to get lost in for hours. “Ultimately three months of work might make three minutes of animation. When you’re producing an animation, you’re dictating the amount of time they spend on shots or objects you want them to focus on. With a game you know that people can poke around and explore your world at their own pace. There’s one big difference, which is a psychological, philosophical thing. His work in traditional animation carries over well to the game world. He’s an illustrator, comic artist and traditional painter.Īri Gibson is one half of mechanical apple, a boutique animation studio based in Adelaide, South Australia. Rohan Fraser deals with the more traditional artwork on the game. With two thirds of the development team being artists, it’s no surprise that the art takes front seat on the project. As he advances through Hallownest, beating enemies and bosses and exploring deeper, he unlocks more abilities and shortcuts that allow the player to survive for longer and delve in to ever-weirder environments. “What’s initially set up as very traditional in the genre starts developing its own qualities as you progress deeper and deeper in to this strange world.” Our task from there is to start breaking those expectations as you play the game,” Gibson says. “Those games have a simple structure of going on a grand adventure in to a strange world. It’s dark – filled with fallen kingdoms and lost (insect) souls that wander through its black and blue luminescent landscapes.ĭrawing on classic adventure games like Zelda II: The Adventure of Link, Faxanadu and Metroid from the original Nintendo Entertainment System, Hollow Knight aims to make the old new again. The world he is talking about is Hallownest. “The simplicity we have in the characters and perhaps the simplicity in the style comes because we were working under the deadlines of a Game Jam to begin with,” Gibson says of his session in Adelaide, South Australia. Hollow Knight was born in the heat of a Game Jam.Īri Gibson, William Pellen and Rohan Fraser – now known collectively as Team Cherry – got together for the intensive 72-hour videogame developing event that spawned their enigmatic insectoid protagonist. We overwhelmingly remember great beginnings of games rather than endings. And I think this is why people tend to feel the ends of films are more memorable than the beginnings and middles. In films (especially popular film), they say you can always fix the story in the third act, meaning that as long as you present an exciting and satisfying conclusion, any weakness in the story in the first half of the film is forgotten / forgiven.I've always had a theory on what's important in terms of story for films versus games: QB certainly isn't a perfect game, but I highly recommend it. Time-freeze mechanic is extremely cool.I'm personally bad at games, so I didn't have that problem and feel like those who did should play at a higher difficulty level.
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